Although not as immediately chilling as the scorched debut single Sign Of The Dub, Spit is no less cavernous or spectral: a menacing dub pulse fractured by shards of beats, like hardstep garage drowned in dancehall soundsystem bass pressure, heard through the filter of a claustrophobic bad acid nightmare, while Daddi Gee delivers a sermon of dread-heavy fear.

"Having gatecrashed garage’s dubstep domain with their debut Sign Of The Dub, the London-based duo now follow up that seismic rumble with this enviably deep cruise through the bush of ghosts. Spectral ska chords, a battering ram bassline and the dread-heavy resonance on Daddi Gee’s Satanic sermon supplies a crucial ride into the heart of darkness. Dystopian dub for William Gibson’s cyber generation." – iDJ (dancehall/ragga single of the month)

"Following on from the paranoid anthem of Sign Of The Dub, Kode9 & Daddi Gee join forces again to create more futuristic dub. Spit comes with fine intricate broken step beats backed up by smooth sub-bass and the deep, warm, skunked-out vocals of Daddi Gee. One for all the dub heads." – iDJ (grime & dubstep reviews)

"Some seriously dready dubstep from Kode9 featuring some rasta-style meditative vocals from the deeply resonant Daddi Gee. Heavily poetic with its spoken word style, lyrically this is as rolling and hypnotic as the beats. Kode9 lays down a cavernously deep rhythm track with a sonorous bassline pulse and echo chamber stabs. Like horsepower fused with dark, dub poetry, this is pungent." – DJ Magazine

"Spit. . . finds Gee havin’ at Public Enemy’s Welcome To The Terrordrome in front of Kode9’s chunky, haunted skarage. Order this one up at your shops" – XLR8R